This chair, made of solid Eucalyptus and Wenge with cross-doweled mortise and tenon joinery, is as comfortable as it is sturdy. The seat, lumbar and scapular pads are upholstered in soft leather. The deep lumbar and scapular pads, attached via Velcro for ease of reupholstering, support the back, prevent unpleasant contact of bone and wood, and, unlike a fully padded back, allow air to circulate. The arms are broad enough, cupped, and angled to make one's arms feel at home. This chair suggests good posture but is equally comfortable in a slouched position. The carved back has deep grips at the top to accommodate moving this substantial piece.
A Maker who has been a valued part of this community for several years.
Customers say that this Maker ships promptly after completing a project.
This Maker has consistently demonstrated excellence in craftsmanship and customer service.
From the first time my first pocketknife slid through a piece of pine and I experienced the smooth surface, the pungent scent, and the flow of the grain, wood has been a source of sensual interest and pleasure for me. My interest in working with wood waxed and waned for the next few decades: I never thought of myself as needing or wanting to work wood so I never sought instruction beyond the required semester of wood shop in junior high. Those periods, however, when I found myself whittling, or carving or even just looking at or smelling a piece of wood knowledge seemed to accrue naturally through my senses. The present period began about fifteen years ago when I accepted a friend’s challenge to design for a function but refused to allow the function to dictate a form, process and product without the greatest possible sensual interest. Now, I have clients that say they can’t help but touch the work; and since I make sure that even the obscured lines of the piece are interesting, some even lie on the floor to get every possible angle of view.
A guide to the best items from the best makers and the stories behind them.