Table Arabesque
This entryway, hall or sofa table is not an "arabesque" in the sense of a serpentine line or repeated linear motif (though the grain of the Wenge does swirl and zigzag throughout). It is "arabesque" in its sinuousness and evocative imagery. Nearly every line is curved or ends in a curve. The ends of the cogged lap joints attaching the modified aprons and lower stretcher to the leg assemblies evoke the face of a feline. So too the stretcher between the pairs of legs suggests a pair of serpents holding the small display shelf. The Bloodwood of the top, drawer front, and display shelf has an unusual striated pattern of metallic gold, copper and deep red reminiscent of sunset on a beach. The drawer pull of Yellow Heart might be a shell reflecting the golden light. At least in my mind . . .
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A Maker who has been a valued part of this community for several years.
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This Maker has consistently demonstrated excellence in craftsmanship and customer service.
From the first time my first pocketknife slid through a piece of pine and I experienced the smooth surface, the pungent scent, and the flow of the grain, wood has been a source of sensual interest and pleasure for me. My interest in working with wood waxed and waned for the next few decades: I never thought of myself as needing or wanting to work wood so I never sought instruction beyond the required semester of wood shop in junior high. Those periods, however, when I found myself whittling, or carving or even just looking at or smelling a piece of wood knowledge seemed to accrue naturally through my senses. The present period began about fifteen years ago when I accepted a friend’s challenge to design for a function but refused to allow the function to dictate a form, process and product without the greatest possible sensual interest. Now, I have clients that say they can’t help but touch the work; and since I make sure that even the obscured lines of the piece are interesting, some even lie on the floor to get every possible angle of view.
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