A Bridge Across The Canyon
The initial sketches for this jewelry box were done more from the perspective of looking into half of a vertically bisected abstract flower. Once laid on its side . . . maybe another time. The six drawers open by placing a finger inside the void between the walnut and curly maple of the fronts and pulling in line with the canyon wall. The walnut canyon walls darken from a naturally lighter shade at the top to the black walnut floor. The ribs of the mordillo bridge could be employed to hang necklaces.
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From the first time my first pocketknife slid through a piece of pine and I experienced the smooth surface, the pungent scent, and the flow of the grain, wood has been a source of sensual interest and pleasure for me. My interest in working with wood waxed and waned for the next few decades: I never thought of myself as needing or wanting to work wood so I never sought instruction beyond the required semester of wood shop in junior high. Those periods, however, when I found myself whittling, or carving or even just looking at or smelling a piece of wood knowledge seemed to accrue naturally through my senses. The present period began about fifteen years ago when I accepted a friend’s challenge to design for a function but refused to allow the function to dictate a form, process and product without the greatest possible sensual interest. Now, I have clients that say they can’t help but touch the work; and since I make sure that even the obscured lines of the piece are interesting, some even lie on the floor to get every possible angle of view.
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