Architectural Art | Welcome To Colorado 1
Architectural Art | Welcome To Colorado 2

Architectural Art | Welcome To Colorado

$5,000

I was commissioned to create a variety of components of the Colorado Welcome Centers within the architecture of Michael Brendle, FAIA. I made three of these Colorado landscapes as the entry art for the Welcome Centers in Fruita, Burlington, and Dinosaur. I also designed and created the signage as part of the whole composition. I used a vertical 60-degree parallelogram as a recurrent visual theme in the entry painting, in the regional division of my 8'x12' map of the state, and as flags to those regions on the brochure racks. The paintings include the expected mountains, but I also included hay bales to symbolize the agriculture, which is so important to the state. The paintings are acrylic on plywood. They measure 96"x47". The second image shows the Burlington Welcome Center; the circular painting above the desk is also mine.

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John Boak

John Boak

John Boak Art

Denver, CO
Member since: 2011
5.0
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I am an artist and designer. I create paintings, sculpture, and architectural components. As a designer for a variety of clients, I have worked in numerous materials over the years, from paper, canvas and panel to wood, iron, steel, aluminum, glass and bronze. I am very comfortable with the design process and communicating with my clients so that they achieve what they want.

My oil paintings have covered a variety of subjects over the years from landscape to abstractions. In recent years I have been exploring architecture in my paintings, ranging from structural steel during construction to deco movie theaters in small towns.

My sculpture has been rooted in painted wood abstractions that often include metal found objects, and glyph of my own design.

I have created architectural components both for clients and for myself. My client work has included glyphs in aluminum, bronze, slate, glass, stucco and wood. Work on my own cabin has included trim in natural aspen, window frames with glyphs, and cabinetry in twig and natural aspen.

My training includes not only fine art and its history but also the design traditions of the late nineteenth-century craft movements of Europe and America; the Vienna Werkestette; the early-20th-century modernist movements of Russia, Germany and Holland; and the vernacular architecture in eastern Europe, Russia, and Scandinavia. I also hike a lot in the western U.S., which has shown me first-hand the vernacular architecture of the gold camps and the desert Native Americans. My artistic goal is to synthesize these traditions of formal and vernacular design into a style that expresses the modern west.

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