Furniture | Tall Table 1
Furniture | Tall Table 2
Furniture | Tall Table 3

Furniture | Tall Table

$1,800

The table was made from a remnant of a glue lam beam for the top. The legs are made from standing-dead aspen; these trees have been scoured by wind and snow, removing all the bark, and polishing the surface to a bone color, with streaks of orange and gray. I have carved the lower legs into squared forms. The legs have then been painted with watered-down acrylic paints, using an airbrush. The top has likewise been painted with transparent paints. The grain of the various woods is always visible. The components of the table have been varnished, and the varnish has been rubbed with very light abrasives to produce a matte finish that best reveals the wood. 11.5" x 11.5" x 33.5"

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John Boak

John Boak

John Boak Art

Denver, CO
Member since: 2011
5.0
5 Maker Reviews
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    A Maker who has been a valued part of this community for several years.

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I am an artist and designer. I create paintings, sculpture, and architectural components. As a designer for a variety of clients, I have worked in numerous materials over the years, from paper, canvas and panel to wood, iron, steel, aluminum, glass and bronze. I am very comfortable with the design process and communicating with my clients so that they achieve what they want.

My oil paintings have covered a variety of subjects over the years from landscape to abstractions. In recent years I have been exploring architecture in my paintings, ranging from structural steel during construction to deco movie theaters in small towns.

My sculpture has been rooted in painted wood abstractions that often include metal found objects, and glyph of my own design.

I have created architectural components both for clients and for myself. My client work has included glyphs in aluminum, bronze, slate, glass, stucco and wood. Work on my own cabin has included trim in natural aspen, window frames with glyphs, and cabinetry in twig and natural aspen.

My training includes not only fine art and its history but also the design traditions of the late nineteenth-century craft movements of Europe and America; the Vienna Werkestette; the early-20th-century modernist movements of Russia, Germany and Holland; and the vernacular architecture in eastern Europe, Russia, and Scandinavia. I also hike a lot in the western U.S., which has shown me first-hand the vernacular architecture of the gold camps and the desert Native Americans. My artistic goal is to synthesize these traditions of formal and vernacular design into a style that expresses the modern west.

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