Legacy Dining Chair 1
Legacy Dining Chair 2
Legacy Dining Chair 3

Legacy Dining Chair

$3,000

This chair has become the signature piece of my furniture line and epitomizes my design style. It is available in either cherry or walnut. When ordered in sets, the chairs are made from the same log flitch so the color and grain pattern are true throughout the set. The cantilever design provides an uncluttered appearance when the chairs surround the table. Beyond the design, the chair sells well because of its comfort. One's body seems to snug into the curved back and relax. The cantilever engineering is borrowed from George Nakashima, but the lines are a reflection of the rest of my collection.

At shows, when people sit in this chair for the first time, their faces are overcome first with surprise, and then ecstasy.

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John Spivey

John Spivey

John Spivey Fine Furniture

Santa Barbara, CA
Member since: 2012
4.9
10 Maker Reviews
  • Long-time member

    A Maker who has been a valued part of this community for several years.

  • Fast shipper

    Customers say that this Maker ships promptly after completing a project.

  • Great service

    This Maker has consistently demonstrated excellence in craftsmanship and customer service.

I am a studio furniture maker in Santa Barbara, California and my design style is influenced by Japanese calligraphy and sumi-e painting. My furniture can be considered functional sculpture and is primarily made with North American hardwoods (walnut, cherry, maple, and hickory). Most of my work is commissioned, but I do have a few pieces available for immediate sale. A number of my pieces feature a live-edge (natural edge). The live edge work is more refined and elegant than what is normally encountered.

When people decide to work with me, they have made a choice to not just simply buy a piece of furniture. The process involves relationship. When a fine maker creates a furniture piece, something of their spirit is imbued in that piece. This maker is also preserving and enhancing the spirit of the tree and its roots in the soil. The client is choosing to live with that vision and spirit for many years and the client should be able to look at the piece every day with a smile. A client works with me not simply because the furniture piece fills a need or is the right price. They choose one of my pieces because of the nature of the relationships involved between the tree, maker, and client.

My work has been featured multiple times with American Craft Council shows, the Philadelphia Museum of Art craft show, and the Smithsonian craft show. The work exists at the upper end of studio furniture in this country and is priced commensurately.

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