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Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being. 1
Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being. 2
Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being. 3
Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being. 4
Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being. 5
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Can We Pull Back The Veil Of Static And Reach Into The Source Of All Being.

$500+

This hollow constructed ring has two sides made of reticulated silver. It has been oxidized with liver of sulphur. It is a size 7 ring, 2 1/2 inch tall x 1 1/8 inch wide x 1/2 inch thick.

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Maker since 2013

Material

  • silver

Base

  • metal

Meet the Maker

AM

Alessandro Morosani

Alessandro Morosani Metalsmithing

Brooklyn, NY 11205
Member since 2013

Fire is my process. I alter, distort, and combine metal to make jewelry using the breath of Hephaestus. Inspiration comes from mythology, fantasy, or ancient mystery, combined with Rococo shapes and Abstract forms. I begin a piece with a grandiose concept of general structure and specifically chosen materials. Reticulated, fused, or manipulated metal is incorporated with cast or found objects and uncommon stones. These components are assembled as though they are puzzle pieces waiting to be made whole. The included elements are specifically selected for what is essential to complete the form.
I transform base metals into gaudy harmony that invites the viewer into the microcosmic world of each individual work. My pieces are over the top fluid spectacles. They are manifestations of instinct, intuition, and imagination. Absurd abstraction creates other worldly ornamentation.

Alessandro Morosani, better known as Sonz, grew up in a rural section of northwestern Connecticut.  His first encounter with silversmithing took place in his senior year of high school at Proctor Academy.  Later, when Sonz moved to Asheville, NC, he found classes at Earthspeak Arts.  Sonz then enrolled in the jewelry program at Pratt Institute in 2008.  He was awarded the 2012 prize for Outstanding Use of Stones and Design Excellence.

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