Denver Coffee Table 1
Denver Coffee Table 2
Denver Coffee Table 3
Denver Coffee Table 4
Denver Coffee Table 5
Denver Coffee Table 6
Denver Coffee Table 7
Denver Coffee Table 8

Denver Coffee Table

$430

The DENVER is a burl-top coffee table on a custom-designed industrial-chic base made from tubular steel and finished in oil-rubbed bronze. The base is styled asymmetrically to follow the curvature of its wood top; its legs are flared and the whole arrangement echoes a dance-step routine. The top is a burl of live-edge, tear-drop shaped cherry wood. It presents all the natural beauty of a burl and all its high-character imperfections - waved graining, whorls, valleys, gorges, peaked edges, natural cracks, and variable color tones. The wood has been de-barked and finished by a process of multiple sanding (3x at 150, 220, 320) and multiple applications of high quality, durable indoor polyurethane in a satin finish (semi-gloss is available as an alternate option) The burl-slabs on these tables are examples of the high-character pieces that I can obtain for your table. How I work with fine wood is to gather your preferences - for species, color-tone, graining - and then do a photoshoot of candidate slabs for you to select from Finishes for the steel base: clear-coated raw steel, linseed oil, paint - silver, oil-rubbed bronze (shown here), aged copper, soft steel grey. No extra charge for any finish. Powdercoating - in a truly remarkable range of colors - is available for approx $150 DIMENSIONS: H 18"; L 32 "; W variable 21" SHIPPING : I will obtain the best shipping option for you depending on your location. If you are within a 50 mile radius of Manhattan I will deliver the table myself for less than half its shipping cost

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DINSA MEHTA

DINSA MEHTA

PeppercornStudio

Bedford, NY
Member since: 2014
5.0
27 Maker Reviews
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I am a sculptor working in metal and glass. Sometimes singly, sometimes together. I find the simple expression of material to be visually pleasing, and often the stuff I have on hand will nudge my creative process. If the resulting piece awakens my visual sense with wonder, that counts as art for me.

I’ve arrived at sculpting after a heady and enjoyable journey through corporate life. I worked my whole career, twenty-seven years, at JPMorgan and all of that on its trading floors. So making art - and the solitude that accompanies it - are a striking counterpoint to the addictive buzz of life in the markets.

The short story reads like this: as an avid gardener I developed an interest to make large-scale metal art to add to the whimsy in my yard. My son, who was (and is) restoring a classic Alfa Romeo taught me how to weld; I followed this with a semester at the Silvermine School of Art. Many moons, more tools, much practise, the steady acquisition of technique (mostly from other artists and artisans) and I had learned much of what goes into my art now.

I like to use recycled steel whenever possible and I scavenge actively to collect old metal - there’s little more satisfying than cutting up and creating art from, say, an old corn planter.
Patina, texture and light fascinate me and play engaging roles in my sculptures.

My wife (an art photographer among her other talents) and I collect the works of (mainly) American craftspeople - glass makers, ceramicists, wood-workers, textile artists, sculptors - and seek out contemporary art, often at Sculpture parks. So making art is its own reward. Sharing it is even better.

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