Z-Frame Desk 1
Z-Frame Desk 2
Z-Frame Desk 3
Z-Frame Desk 4
Z-Frame Desk 5
Z-Frame Desk 6

Z-Frame Desk

$520

The Z-Frame Desk is a modern-industrial, minimalist steel and wood table that can be sized and used as a full desk, a standing desk or a computer desk. It presents as a piece of functional art It matches style with utility and makes as much of an impression in an office, a studio or an apartment. It can be built to virtually any dimensions - including as a standing desk or a drafting table and is solid but comfortable. IDEAL FOR WORK-FROM-HOME SPACES Although the Z-frame is designed primarily as a desk it can be modified to become a Console or a Coffee Table too The desk in this image is fabricated out of 3x2" tubular steel and two-inch thick American Black Walnut and is the top-of-the-line version. The wood itself is sustainably harvested and has heft, presence and personality - beautiful graining and handsome side faces. Your choice of wood top will drive its price. Equally beautiful and no less eye-catching - but less expensive - woods are available. Among them: Sapele, Ash, Pine, Honduran Mahogany, Maple and Cherry Options: all three dimensions, choice of wood, choice of finish for both the wood and the steel. Shipping: free Shipping for a 50 mile radius from NYC; otherwise via uShip - which is safer, and less expensive than the big carriers. as examples, the cost of Shipping to Chicago is about $200, to Florida about $150 …. I will obtain the best price for you. I have shown a shipping cost below as an example only

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DINSA MEHTA

DINSA MEHTA

PeppercornStudio

Bedford, NY
Member since: 2014
5.0
26 Maker Reviews
  • Long-time member

    A Maker who has been a valued part of this community for several years.

  • Fast shipper

    Customers say that this Maker ships promptly after completing a project.

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    This Maker has consistently demonstrated excellence in craftsmanship and customer service.

I am a sculptor working in metal and glass. Sometimes singly, sometimes together. I find the simple expression of material to be visually pleasing, and often the stuff I have on hand will nudge my creative process. If the resulting piece awakens my visual sense with wonder, that counts as art for me.

I’ve arrived at sculpting after a heady and enjoyable journey through corporate life. I worked my whole career, twenty-seven years, at JPMorgan and all of that on its trading floors. So making art - and the solitude that accompanies it - are a striking counterpoint to the addictive buzz of life in the markets.

The short story reads like this: as an avid gardener I developed an interest to make large-scale metal art to add to the whimsy in my yard. My son, who was (and is) restoring a classic Alfa Romeo taught me how to weld; I followed this with a semester at the Silvermine School of Art. Many moons, more tools, much practise, the steady acquisition of technique (mostly from other artists and artisans) and I had learned much of what goes into my art now.

I like to use recycled steel whenever possible and I scavenge actively to collect old metal - there’s little more satisfying than cutting up and creating art from, say, an old corn planter.
Patina, texture and light fascinate me and play engaging roles in my sculptures.

My wife (an art photographer among her other talents) and I collect the works of (mainly) American craftspeople - glass makers, ceramicists, wood-workers, textile artists, sculptors - and seek out contemporary art, often at Sculpture parks. So making art is its own reward. Sharing it is even better.

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