18x24". from my "paint another humanity series," showing the complex display and restraint of emotion through life-size portraits of women. all acrylic on canvas with finished edges, so they can be displayed unframed. this was the hardest thing i've ever painted, and the piece i'm most proud of. hence the price. getting the lighting and features even over two skin-tones was a massive challenge. but i think it's my best work. and it makes me wonder if i'm the first person to ever paint someone with this skin condition. finding reference photos was hard enough. i don't do commissioned portraits of people because i don't see right: the people i paint don't look like the people i'm painting. all my people are fake.
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I graduated from Columbus College of Art and Design with a Fine Arts major, emphasis on painting. I've shown and sold work in galleries, shops and festivals in the area, as well as in Chicago and Cleveland. I founded and run Cross-Media Collective, a 501(c)3 non-profit to help artists and art groups get the assistance they need, be it grants, sponsorship, or just general aid with permitting for events. We are currently fundraising for a permanent location for our events, and a gallery/workshop space, as well as a museum of miniatures, my pet project. You can read more about that at cross-mediacollective.org and columbusminiatures.org (currently under construction).
My work is very varied, running the gamut from painting to sculpture, realistic to abstract, massive to tiny. I get bored easily, and inspired easily, and no one would guess that everything I make comes from one person. Most of my work tends towards the figurative, or the anticipation of figures; I make miniature food, furniture and rooms…okay, and figures. My paintings are generally acrylic and almost always figurative. My sculptures are clay, and, again, figurative. I'm a people person, aesthetically, anyway.
I've spent the past three years renovating and decorating a very large, very old, very neglected house. My work with minis was beneficial in planning and executing the look of the house, and though I have no training in interior design, I love decor and architecture, as is evident in my miniatures, and would like to find decorators to work with, perhaps to commission a certain piece for a certain room, or work with individuals who just want an artistic eye or someone to shop with when redoing a room. Sometimes a fresh view or a second opinion is crucial.
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